Dialogue

Diego Quinderé de Carvalho’s 0.2 Milligrams of Gold and Andrés Jurado’s Yarokamena invite us to reconsider our relationship with nature, history, and the systems that shape our lives. In conversation, both filmmakers talk about their filmmaking process and the question of activism in art.

The camera measures distances. Its focal point coincides with an object in the room and through the emptiness around it, something becomes visible. It is an obvious observation, yet this essential aspect of photography is important in the work of Chloë Delanghe. Her work is situated on the crossroads between intimacy and distance.

Greek filmmaker Jacqueline Lentzou does not look for inspiration; inspiration finds her. In her artistic practice, vague ideas slowly develop into something more comprehensible, more tactile. In The End of Suffering (A Proposal), she renders the mere act of “understanding” palpable.