Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.


Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.


Met zijn eerste korte film Daydreaming So Vividly About Our Spanish Holidays sleepte de Spaanse Christian Avilés meteen een nominatie voor de European Film Awards in de wacht. De kleurrijke 16mm laat het eiland Mallorca eruit zien als een kinderspeeltuin, waarbij het stralende kleurenpalet ook aandoet als een bevreemdende vernislaag. Achter al die zomerse pracht en praal schuilt iets donker en uncanny.


Crossing the Great Sagrada consists almost exclusively of outtakes from travelogues. The title is a pun on Crossing the Great Sahara, one of the popular travel films of the 1920s that documented “other cultures” in a way that reflected imperial, nationalistic, and often racist stereotypes.


The Seasons shows humanity trapped in a cruel but stunningly beautiful existence. Vast cloudscapes speedily glide across the Armenian highlands: to the melodious rhythm of camerawork, editing, and a lyrical score, Artavazd Peleshian elevates this into a full-blown symphony of life.


In deze bijzondere korte documentaire wordt in een kleine bakkerij alles in gereedheid gebracht voor het maken van brood. We volgen dit alledaagse proces stap voor stap, inclusief het wachten. Net zoals in tal van Alexandre Koberidzes kortfilms toont hij in Linger on Some Pale Blue Dot bijna woordeloos hoe je met verwondering naar de wereld kan kijken.


Belgian film pioneer Henri Storck, born and raised in Ostend, made more than one documentary about his hometown. In Ostende, reine des plages, contemporaries James Ensor and Maurice Jaubert provide the music—a film about the “special happiness of being an Ostendian.”


Ostensibly filmed to commemorate the 20th anniversary of the Great Patriotic War, production of Kyiv Frescos was discontinued by Russia’s Goskino. It now exists only a series of screen tests that Sergei Parajanov pieced together. But even in its abbreviated form, the film is impressive.


Robert Fenz worked as a cameraman with Chantal Akerman and was one of the most committed filmmakers reviving avant-garde traditions for a long time until he passed away in 2020 at the age of 52. His films, mostly made on black-and-white 16mm, possess a rare energy and restless beauty.


Portuguese filmmaker Jorge Jácome often mixes science fiction with documentary elements. In Flores, the entire population of the Azores is forced to evacuate to the mainland when an uncontrollable infestation of hydrangeas floods the islands.

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.


This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.


Artist and AIDS activist David Wojnarowciz focuses on civil rights and gay identity within American popular culture. A few years before he died of HIV, he made Beautiful People.


Isaac Julien is a pioneer in video and installation art. His work constantly pushes the boundaries of the medium, combining film with photography, performance, music, and painting. Social inequality is often central to this, and more specifically, his black and queer identity is a thread running through his oeuvre. In his very first film, Who Killed Colin Roach?, he reflects on the death of the 23-year-old title character who was shot at the entrance to a London police building in 1982.


Belgian Roland Lethem’s early work is heavily influenced by surrealists (Buñuel) and  Japanese cinema (Seijun Suzuki, Yoko Ono). Later, his films became increasingly political and also ecologically charged, although certain cruelty and pornography are never far away. Full of irrational images and diverse forms of symbolism, Lethem’s films seem to float between waking and sleeping states.


Dominique Loreau’s feature-length films are strongly anchored in a documentary reality: the actors play themselves and improvise from a predetermined framework that nevertheless welcomes coincidences and the passage of time. This methodology is already visible in her 1987 short film Zig-zags.


Conceptual artist Emily Jacir creates films and installations that focus on the oppression of the Palestinian people. In this intimate film, simultaneously a video essay and a diary, Jacir pleads to register  her childhood home and neighbourhood, “before a crime is inevitably committed.”


The Newest Olds is Pablo Mazollo’s experimental portrait of Detroit in which he unpacks the buildings from their foundations and blurs the political and sensory boundaries between Canada and the United States, through in-camera and optical printing techniques—a transformation of iconic cityscapes.


In an exercise of ironic self-awareness, Chantal Akerman tries to deal with her own procrastination by making a film about laziness itself. The film is part of a collective project in which seven women each are making a short film about one of the deadly sins.


The Brussels Porn Film Festival was created to gain greater recognition for the role of pornography in film history. The programme features alternative porn of various kinds, including this short collage work by Colombian visual artist Marco Antonio Nunez, in which the filmmaker cobbles together his erotic fantasies, using torn-out phalluses and other magazine clippings.


Barbara Meter, born in 1939, is one of The Netherlands’ leading experimental filmmakers. Recently, the Eye Filmmuseum restored much of her work, including Andante Ma Non Troppo. In it, Meter explores what it means to look with the camera.


Belgian filmmaker Samy Szlingerbaum directed the short film Le 15/8 in 1973 together with Chantal Akerman. He then made two short films of his own, including this nocturnal Insomnies, which rhythmically and associatively depicts the neon lights of the Belgian capital—like a dream. A mostly formal experiment of barely nine minutes. 


We can never get enough of Buster Keaton, The Great Stone Face of the 1920s. One Week is the first independent film he released himself, full of new stunts in and around houses and on ladders.


Arnold Schwarzenegger won his first Mr. Universe title at the age of 20. He was also named Mr. Olympia seven times. During one of those many bodybuilder competitions, Dutch filmmaker Babeth Mondini-Vanloo filmed him up close.


Chantal Akerman is omnipresent in Brussels this spring with a retrospective at Bozar and her entire oeuvre on display at CINEMATEK. The short film is an intimate portrait of a young woman who, during her day-to-day routines, reflects on her family, sex life, and body.


In a binary universe, a man must hide his true feelings and dance, dance, until he has the courage to defy the norms and reveal who he really is.


We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.



De binnenplaatsen van Łódź, een alomtegenwoordig architectonisch element van de stad, zijn de kinderspeelplaatsen van de omliggende flatgebouwen. Podwórka is zowel een studie van een specifieke plaats als een evocatie van de vindingrijkheid van de kindertijd.


With her films, pioneering journalist Jocelyne Saab gives exiled warriors and displaced people a voice. Her work is poetic but also has a strong awareness of her subjective role as a documentary filmmaker.


A group of children meets at the Sirkhane Darkroom Workshop for analogue photography. Asli Baykal delicately records their apparently carefree days while learning about the mysteries of the art form.


Now Pretend is an experimental investigation into using race as an arbitrary signifier. Drawing on language, personal memories, and the 1959 text “Black Like Me”, it deals with Lacan’s mirror stage, and the movement from object to subject. 


In Wild Plants of Palestine, artist and researcher Alaa Abu Asad questions the territorial extension of what is meant by “Palestinian”, while documenting the flora and topographical features of the (postcolonial) landscape in the West Bank.


Belgian filmmaker Chantal Akerman, who passed away in 2015, has gained worldwide fame. Nothing is quiet about her first short film, Blow Up My Town (1968). Her character is abrupt, energetic, and explosive. Something is teetering. This short film is a visionary prelude to the filmmaker’s oeuvre and life.


In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.


In his work, Georgian Mikheil Kobakhidze often opposed Soviet ideology. At first glance, Umbrella seems feathery light: a railway worker lives happily with his lover until an umbrella comes flying and gives the realistic a surreal touch.


Su Friedrich, a pioneer in American avant-garde cinema, writes, directs, and edits all her films. These are often a mix of the personal and political, ranging from home movies to video interviews and more classic narratives.    


Barbara Hammer is a pioneer in lesbian cinema. In her over fifty-year career, she has made both classic and more experimental films in which gender roles and female relationships are central.



During his heyday, Buster Keaton was known as The Great Stone Face: the American comedian is best known for silent films focusing on physical comedy and his dry facial expressions.


American underground artist George Kuchar is known for his low-fi aesthetic. He has directed over two hundred films and videos. Hold Me While I'm Naked reached 52nd place in The Village Voice’s Critic's Poll in 2000.


Fool’s Mate, seen by some historians as one of the first films of the French New Wave movement, is perhaps Rivette's best-known short film—and with good reason: its tight camera work captures a mysterious romance.


Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.


Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.


An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.


In A Kind of Testament, a young woman bumps into online animations that are clearly made from her private selfies. Vuillemin’s razor-sharp animated film scrutinises social media and digital personas and asks important questions about privacy and voyeurism.

Man Ray, France, 1923, 3’

In the short silent film Return to Reason, American dadaist Man Ray filmed barely recognisable night scenes in Paris. The almost total abstractions, such as enigmatic photograms and conglomerations of spiraling or spinning objects, seem devoid of meaning or purpose.


Set in the deindustrialised mining city of Genk, Terril depicts the masculine dynamics within a working-class family. It patiently moves between these social codes and the landscape in which they manifest themselves.


A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.


A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.


The footage in this rare film by legendary filmmaker Mustafa Abu Ali was shot by a French news team, after which Abu Ali edited it into one of the earliest films about the occupied territory in Gaza.


In deze surrealistische film van Henri Storck koopt een jongeman een glazen oog dat hij via de post verstuurt. Op een bijzondere manier komen erotiek en maatschappijkritiek erin samen.


In Hus, Inger-Lise Hansen attempts to reveal the private layers of our lives through stop-motion and time-lapse photography. Each shot of the film opens on a hidden part of a house and exposes it to the passing light.


The Octopus is a cinematic masterpiece that was restored in 2020. As a historical document, it not only depicts an utterly fascinating creature in all its splendour and mystery but also displays the infinite possibilities of the medium of film.


Maya Deren and Alexander Hammid took inspiration from surrealist films like Un chien andalou and L'Age d'Or by Salvador Dalí and Luis Buñuel for their own avant-garde short film—even though they repeatedly denied it themselves. Following a similar dream logic, Meshes of the Afternoon tells a circular story about a dreaming woman.


Scorpio Rising is perhaps Kenneth Anger's best-known work. Set to the beats of 1960s pop music, the film follows a group of bikers and explores the occult, homosexuality, and Nazism. It also idolises rebellious public figures such as James Dean and Marlon Brando.

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.


In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.


Confused about German bureaucracy and questioning her sexuality, Hoda, an Iranian asylum seeker in Berlin, finds herself hooked on Magdalena, who promised to ensure her asylum by marrying her. Due to changes in Magdalena’s private life, her decision to marry Hoda becomes more complex.


Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.


In 45th Parallel, a monologue is performed in a building on a borderline. Lawrence Abu Hamdan intelligently exposes the absurdity of borders and the often hypocritical legislation around them.


Irani Bag is a split-screen video essay that questions the alleged innocence of handbags in post-revolutionary Iranian cinema. In doing so, Maryam Tafakory provides a robust political analysis of censorship and intimacy. 


This French short film is highly regarded in many film history books. Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams.


On May 27th, 2019, Paul Shemisi and Nizar Saleh, half of the Belgian-Congolese film collective Collectif Faire-Part, landed at Luanda airport in Angola. Despite a scheduled connecting flight, the duo will only take off again two days later to continue their journey to Frankfurt.


Hungarian Flóra Anna Buda won no less than three major film awards (in Cannes, Annecy, and Sarajevo) with her dreamy short animation film 27. It is a story about a young woman exploring her sexuality to her heart's content: lurking in the background is a socio-political message about the soured housing market in France.


A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.


Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.


Dream of Silk was banned from screening in Iran. In the film, Nahid Rezaei returns to the high school she attended as a young woman twenty years ago, to talk to the young students. She asks them about their hopes for the future and their vision of an ideal life.


Parviz Kimiavi is one of the most prominent figures of 20th-century Persian cinema. In his documentaries, he highlights various subjects in an often poetic and impressionistic way. In P Like Pelican, an old hermit in a slum wants to teach the alphabet to the street children who often come to play in his neighbourhood.


Brussels-based filmmakers Elie Maissin and Mieriën Coppens often collaborate with the collective La Voix des Sans Papiers. In doing so, the duo gives a voice to those without documents. Their understated film language evokes diverse ways of communicating: in different spoken languages, with the silent language of the body, with an environment.


American filmmaker Robert Breer first experimented with rotoscoping in Gulls and Buoys, although by 1972, the technique was already considered outdated. The film is reminiscent of an abstract holiday video on the beach.


The mystery of the filmmaking process is a crucial element in Robert Beavers' artistic signature. Winged Dialogue is characteristic of many of his films: at once lyrical and rigorous, sensual and complex. Mediterranean cities, landscapes, and cultural traditions unveil deeper personal and aesthetic themes. The sexuality of the body and the purity of the soul come together glowingly.


Nocturnal Butterflies is the only film entirely made in Servaisgraphy, a technique that fuses live-action and animation. The late Raoul Servais, a key figure in the history of Belgian animation, already experimented with this style in his film Harpya.


Using a typical American family car, avant-garde queer filmmaker Su Friedrich tells the story of a love affair and its demise. Here, the old, beige station wagon with faux wood panelling is the vehicle of an atypical lesbian couple. When their relationship ends, the vehicle becomes the property of one of them and curses the existence of the other.


Harry Kramer dances his way through an industrial landscape to the rhythm of groovy jazz music. Filmed and edited in a clever but alienating way, slowly but surely, the urban setting and the impact of a dizzying and all-consuming metropolis take over.


In a mix of documentary and fiction, Emotional Architecture 1959 explores several Madrid neighbourhoods in the wake of Sebas and Andrea, two literature and philosophy students who fall in love during the 1958-59 academic year. Their love affair is marked by differences in social class and in outlook on life.


Like fellow filmmakers Chris Marker and Jean-Luc Godard, French director Bruno Muel belonged to the militant Medvedkine, a group of socially engaged filmmakers active between 1967 and 1974. In Septembre Chilien, a documentary about the 1973 coup, he mixes official footage with clandestine shots of the rising opposition.


A fictional character’s body is assembled from memories embedded in an abandoned space.


Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.


Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.


Hana is trying to escape from a lack of perspective in Kosovo. She meets Emir, a smuggler in Serbia who will drive her to Hungary. On the road, complications arise.


Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.


The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.


Sitting in her kitchen, Marie-Thérèse realizes she misses everything except her husband. She wanted to be the Princess of Monaco, but after being unhappily wed for seventy years, she must accept she is not.


A documentary film about AIDS and one unconventional woman’s efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.



Following a premonition, a young woman tries to persuade her fiancé not to go out to sea in his fishing boat, but the boy ignores her and sets out. Soon, a storm occurs, and the girl frantically tries to find out his fate.


A dreamlike meditation on art and politics in the final years of the Cold War.


A child's voice recites Lewis Carroll's Jabberwocky while various objects, such as toys and dolls, fall apart and depict some of the scenes.


Two teenage girls from Brussels flee to Paris and try to survive there.


Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.


After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.


Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.


A man finds himself haunted by a mysterious black tower in London that appears to follow him wherever he goes.


In a world where everything is forbidden except what is obligatory, a man recalls for what reasons he came to work in a very strange fast food restaurant.


A psychedelic meditation on the filmmaker's life and his detention in a prison in Italy in 1972.


A detailed account of a failed bank robbery. A single take where over ninety people perform a meticulous choreography for the camera. The film recreates an actual event that took place in Stockholm in June 2006.


Fifty-nine-year-old factory worker Beryl is totally obsessed with drawing, and her fixation dominates the entire household. Apart from her husband, her model and muse, every member of the family is addicted to something.


Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world’s fate.

Med Hondo, France, 1971, 35’

African migrants in Paris talk about everyday life and racism on the labour and housing markets.


This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.


As a young Chinese filmmaker returns to his hometown in search for himself, a long due conversation with his mother dives the two of them into a quest for acceptance and love.


A portrait of a leper colony in the north of Iran, where 'ugliness' is juxtaposed with religion and gratitude.

Bi Gan, China, 2022, 15’

A magical fairytale about a cat in a long trenchcoat.


In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.


A classic from the oeuvre of one of the comic pioneers of silent cinema.


Filmmaker Nikita Diakur's AI avatar teaches itself how to do a backflip.


Every day, a father and son parachute jump down from their cold cliff-side house to a remote village in the valley to sell the ice cream they make.


Children dance to music under the watchful eye of their teacher. A young girl witnesses the scene and disrupts their ritual.


A father and son take part in a folk race. To win, the boy turns himself into a car tyre. Loosely inspired by the director’s childhood.


Eén maal per jaar mogen de voormalige inwoners van Ma’loul terug keren naar hun door Israël bezette dorp. Tijdens de traditionele picknick documenteert de Palestijns-Belgische filmmaker Michel Khleifi hoe de geschiedenis van deze plek in de herinneringen van de oude generaties en in de verbeelding van hun kinderen verder leeft.


A devastating portrait of the artist's niece, haunted by the abuse she suffered as a child and the passivity of the family members who allowed it to continue.


A Hollywood villa on a sultry summer night. The escort does what he was hired to do and gives his client the illusion he has paid for. “I’ll make you a star”, the customer says, before the tide turns abruptly and the power dynamics are unsettled.


The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.


A journey through the consciousness of a woman whose country is under threat from a fascist government.


A sensory insight into the life of an Iranian refugee. After the Iranian revolution in 1979, numerous Iranian intellectuals and artists had to flee their beloved country. Many of them settled in Paris and tried to build a new life, often without success.


Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.


A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...


Udo Kier dies his way through film history. He screams, falls, is dismembered, shot or commits suicide. Again and again his empty gaze, again and again his rigid body.


An adaptation of a play by Aimé Césaire, in which a revolutionary contemplates his life just before dying in a great collective disaster.


A young man approaches some sailors, who eventually turn on him, strip him naked and beat him to death. Subsequently, fireworks explode.


Large parts of Goma were covered with lava after the eruption of the Nyiragongo volcano in January 2002. Today kids live in the ruins on the lava. They sell paper hankies to grown-ups in the city, and lava rocks to construction builders.


A trip to the Côte d'Azur, with its blue skies, beaches and endless sunbathing people.


In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.


In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.


A collage about mortality by Stan Brakhage, one of the most prominent figures of experimental film of the 20th century.


A crane operator discovers a freedom he finds nowhere else, dozens of feet above the ground.


La briglia sul collo (1974) is a wonderful example of Cecilia Mangini's talent for pointed observation combined with humor and social criticism.



A young couple in Kyoto. A girl makes up an excuse to run away from her monotonous life. She would like to say something to her boyfriend. Can she still return now that night is falling?


The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.


Surrounded by the sound of nocturnal animals, a girl falls into a deep sleep. Gradually we slip into her dream that takes us on a cosmic journey through the meadows of Erpe-Mere.


A sleeping man dreams of a city at dusk. Or is the city dreaming of him?


An audiovisual meditation on the fin de siècle in Thailand.


Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

Jean Vigo, France, 1929, 30’

Jean Vigo's very first film. The silent documentary shows Nice residents in their daily routines, and the prevailing social inequalities.


In Dominique Loreau's very first (short) film, a woman wanders the streets of Brussels, waiting to leave for the tropics with a man she happened to meet in a pub.


A group of people who don't know each other are stuck in a traffic jam on a foggy highway. The fog just won't clear up, creating a lot of uncertainty.


A conceptual experiment about what it means to start a film with a black image grows into a subtle personal essay about the filmmaker.



Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.


A marvelous menagerie of monsters, straight from the imagination of Mr. P. N. K. Panicker of Kerala, India, a top-notch teller of tall tales.


Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.


A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.


A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?


A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.


A recently retired father invites his son to help him with the cherry picking in the garden. The father is in no hurry to finish the cherry job though, as he tries to catch up with his son. The cherries remain in the background.