At the turn of the century, French-Swiss idiosyncratic filmmaker Jean-Luc Godard was invited by the Cannes Film Festival to make a film to open the festival, “commemorating cinema entering its second full century.” Godard delivered De l’origine du XXIe siècle: a fifteen-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Godard’s own À bout de souffle.
