Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.
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Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre
Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre
Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre