In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.
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On I’m Hungry, I’m Cold by Chantal Akerman
Short film programme in collaboration with Eva Van Tongeren, Art Cinema OFFoff and Ursula
Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre
On I’m Hungry, I’m Cold by Chantal Akerman
Short film programme in collaboration with Eva Van Tongeren, Art Cinema OFFoff and Ursula
Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre
On I’m Hungry, I’m Cold by Chantal Akerman
Short film programme in collaboration with Eva Van Tongeren, Art Cinema OFFoff and Ursula
Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths
On Omar Chowdhury’s BAN♡ITS
A Conversation with filmmaker Hoda Taheri
A Conversation About Eco-Activism in Cinema
Portraits of proximity: Chloë Delanghe’s Magic, a portrait of Joris
On Christoph Girardet and Matthias Müller’s Misty Picture
On Chantal Akerman’s Portrait d’une paresseuse
On Chantal Akerman’s La Chambre