Su Friedrich, a pioneer in American avant-garde cinema, writes, directs, and edits all her films. These are often a mix of the personal and political, ranging from home movies to video interviews and more classic narratives.
Using a typical American family car, avant-garde queer filmmaker Su Friedrich tells the story of a love affair and its demise. Here, the old, beige station wagon with faux wood panelling is the vehicle of an atypical lesbian couple. When their relationship ends, the vehicle becomes the property of one of them and curses the existence of the other.
