Dominique Loreau’s feature-length films are strongly anchored in a documentary reality: the actors play themselves and improvise from a predetermined framework that nevertheless welcomes coincidences and the passage of time.This methodology is already visible in her 1987 short film Zig-zags.
In Dominique Loreau's very first (short) film, a woman wanders the streets of Brussels, waiting to leave for the tropics with a man she happened to meet in a pub.
