Isaac Julien is a pioneer in video and installation art. His work constantly pushes the boundaries of the medium, combining film with photography, performance, music, and painting. Social inequality is often central to this, and more specifically, his black and queer identity is a thread running through his oeuvre. In his very first film, Who Killed Colin Roach?, he reflects on the death of the 23-year-old title character who was shot at the entrance to a London police building in 1982.

Dominique Loreau’s feature-length films are strongly anchored in a documentary reality: the actors play themselves and improvise from a predetermined framework that nevertheless welcomes coincidences and the passage of time. This methodology is already visible in her 1987 short film Zig-zags.

Belgian Roland Lethem’s early work is heavily influenced by surrealists (Buñuel) and  Japanese cinema (Seijun Suzuki, Yoko Ono). Later, his films became increasingly political and also ecologically charged, although certain cruelty and pornography are never far away. Full of irrational images and diverse forms of symbolism, Lethem’s films seem to float between waking and sleeping states.