Analogue film continues to fascinate filmmakers, even today. Argentine mountaineer and filmmaker Pablo Mazollo for instance, often explores the optical and chemical possibilities of the medium. His work was screened at renowned festivals such as Rotterdam and Ann Arbor.

The Newest Olds is Mazollo’s experimental portrait of Detroit in which he unpacks the buildings from their foundations and blurs the political and sensory boundaries between Canada and the United States, through in-camera and optical printing techniques—a transformation of iconic cityscapes.