Over 20-plus years, audiovisual artist Inger-Lise Hansen has constructed a body of work that almost obsessively explores and dissects the concept of time, usually through various animation techniques. 

In Hus, she attempts to reveal the private layers of our lives through stop-motion and time-lapse photography. Each shot of the film opens on a hidden part of a house and exposes it to the passing light. Within the accelerated time of the film, the house breaks down piece by piece and frame by frame until it is completely dismantled. She then rebuilds it in a new location.