2022

The Newest Olds is Pablo Mazollo’s experimental portrait of Detroit in which he unpacks the buildings from their foundations and blurs the political and sensory boundaries between Canada and the United States, through in-camera and optical printing techniques—a transformation of iconic cityscapes.

In 45th Parallel, a monologue is performed in a building on a borderline. Lawrence Abu Hamdan intelligently exposes the absurdity of borders and the often hypocritical legislation around them.

On May 27th, 2019, Paul Shemisi and Nizar Saleh, half of the Belgian-Congolese film collective Collectif Faire-Part, landed at Luanda airport in Angola. Despite a scheduled connecting flight, the duo will only take off again two days later to continue their journey to Frankfurt.

In a mix of documentary and fiction, Emotional Architecture 1959 explores several Madrid neighbourhoods in the wake of Sebas and Andrea, two literature and philosophy students who fall in love during the 1958-59 academic year. Their love affair is marked by differences in social class and in outlook on life.

As a young Chinese filmmaker returns to his hometown in search for himself, a long due conversation with his mother dives the two of them into a quest for acceptance and love.

A magical fairytale about a cat in a long trenchcoat.

Filmmaker Nikita Diakur's AI avatar teaches itself how to do a backflip.

Every day, a father and son parachute jump down from their cold cliff-side house to a remote village in the valley to sell the ice cream they make.

Children dance to music under the watchful eye of their teacher. A young girl witnesses the scene and disrupts their ritual.

A father and son take part in a folk race. To win, the boy turns himself into a car tyre. Loosely inspired by the director’s childhood.

A Hollywood villa on a sultry summer night. The escort does what he was hired to do and gives his client the illusion he has paid for. “I’ll make you a star”, the customer says, before the tide turns abruptly and the power dynamics are unsettled.

Udo Kier dies his way through film history. He screams, falls, is dismembered, shot or commits suicide. Again and again his empty gaze, again and again his rigid body.

A sleeping man dreams of a city at dusk. Or is the city dreaming of him?

A recently retired father invites his son to help him with the cherry picking in the garden. The father is in no hurry to finish the cherry job though, as he tries to catch up with his son. The cherries remain in the background.